If you're trying to create a believable fictional world in your YA or MG manuscript then you're lucky that you came by the blog today to read the interview by this week's Awesome Author Kathleen Duey. I first discovered Kathleen when I read her book Skin Hunger, the first in her YA trilogy "A Resurrection of Magic" a few years back. I was amazed to find she's written (if I'm counting right) some 80 books for children and teens. How could any one person ever have time to do that?
Well, Kathleen, we're all dying to know -- with that many books under your belt, who on earth was it who helped you when you first started writing? Once we've discovered that : ) I'd love to ask you to share tips on World-building with us today.
Ok. When I began writing I lived on an isolated off-grid
farm. I wrote at night on a typewriter, by candle light, and was a full-time
mother by day. I finally sold a children’s novel, then two middle grade series to
Avon Books--a paperback imprint that later merged with Harper Collins. Once I had electricity and a computer to work
on, I decided to write longer, more complex books for teens, too. My editor
sent me AFTER THE RAIN, a book by Norma Mazer. I tried to read it as a student of craft, to
pick it apart and learn from it. I couldn’t.
The story was seamless and the craft was invisible and my heart was
captured. I wanted to do what she did. I wanted to write books that made people
forget they were reading.
I
wrote Norma a letter and I didn’t expect an answer, but I got one. She
had read two of my books and liked them. We
began calling each other
and eventually met face to face and shared conference
dinners
whenever we could. We talked
about writing and I listened closely
when she spoke, of course—but she listened
to me, too. Norma gave
me something much better than writing advice. She gave
me the
courage to believe I was a writer, that I belonged to the ancient
community of storytellers. It was an enormous gift. I pay it forward
every
chance I get.
Well Kathleen, I think you have learned
very well how to do what Norma did
in AFTER THE RAIN. Your books use invisible and complicated
skills of the
craft to create stories that capture the heart. So today I want to pick your
brain about one
aspect of those invisible skills – World-building – creating
a believable world
for your characters to live in that just seamlessly runs
throughout the
book.
Let’s use your dark YA Trilogy, A
Resurrection of Magic, as our case study for
this interview.
In these books you manage to
create multiple areas of a magical world
that functions believably throughout
multiple centuries as the story
progresses through the trilogy. Each location and time period that you
create
are not only believable, but filled with sights, smells, passion,
danger, and
the complex daily life of rich and poor folks living out their
days in villages, caves, and homes that all
revolve around the main
characters. We
are drawn into the story not only because of the plot,
but because of the world. The places and problems in it feel real to us,
the readers. From young MC Hahp hiding on the roof of his
home
listening to the dogs attacking beggars below at night, to the school in
the caves, to the boys in the cage and their horrible teacher -- we
believe the
world. And that world makes us believe your story and be
both horrified and
amazed by it. (For anyone who has not read
Skin Hunger, and who is not afraid of the dark, I highly recommend it! :))
A
lot of authors struggle with not knowing how to create a believable
setting, or
“world” like this in a novel. Can you
give us some tips on
how to create a fictional world as complex as yours? What should
writers think about or make sure
to include when building a believable
fictional “world?”
First,
thanks for the kind words. For people who haven’t read the books
(A
Resurrection of Magic trilogy): There are two stories, two protagonists.
The
first story unfolds over about 200 years. The second story covers
about 7
years. The first story causes the second one….. and the stories
slowly become
concurrent in book #3, the one I am writing now.
So yeah.
The venue is complicated. It has both eaten
me alive and improved my
writing.
What should you make sure
to include when you build any kind of
fictional world? I try to make things logical, integral. If I want
characters to be part of a
community of people bound by generations
of long-held beliefs, I probably won’t
give them an ocean, or if I give
them an ocean, I won’t give them boats, at
least not to start with.
Sailors and
explorers bring new things into old cultures—stories,
beliefs, spouses from
other races, new food, clothing, words,
weapons, etc. For me, setting, story, and character are entwined
and very hard to separate.
Imagine
a boy running up an alley. He sees a limping cat an instant
before he hears shouts
behind him. Does he stumble to a stop and
slide the cat into his jacket, then
run? Does he kick it aside? Jump
over
it? Does he grab it, hide, throw it into the pursuer’s face and
then run again? Whatever happens will inform the reader about
the boy, his life, and the story setting. I try hard to let the reader
see the
story as it develops.
Wow
Kathleen, that last paragraph is such a great example of
how the characters
actions really do show us who they are.
You’re so right. With any of
those actions we’d learn an awful
lot about who this boy really is and his
motivations. I love that
example! And you’re right that when we add something to
our
world it’s important for us to remember that the ocean isn’t just
the
pretty waves lapping up on the shore. It
means so much
more! And so do so many other little things we’re tempted to add
into the worlds in our books without thinking about the
consequences. That’s a great point!
So for those authors who want to create a complex world, can you give
a suggestion about the pre-writing phase? How do
you outline or plan out
your book in a way that allows you to continue
“building the world” through
each progressing chapter? Or does it just grow naturally as you go
along
with the writing?
I
usually put a lot of time into imagining the place and time the story will
inhabit I talk to the characters and I
often know how I want the reader
to feel when they close the book but not how I
will get there. Once I
know as much as I can know…..I don’t plan or outline, I
start writing. For
me, that allows logical growth in the setting. The characters
will
notice additions/changes/discoveries that matter. They will react, and
that will inform the reader.
I
think it’s amazing Kathleen that you don’t outline! But the way you write your
characters does show that you know them well. The characters are very strong
and very individual. What you say makes
total sense. If you know them then the characters will behave like themselves
in all of your writing. I’m thinking
maybe I need to take a few of my characters out for coffee this week and get to
know them a whole lot better! J
Meanwhile, for any readers who didn't sign up for a chance to win
Kathleen's book "Skin Hunger" by posting a comment on last week's
post, you still have until the end of September! So take a look at last
week's post and jump on in!
Next week Kathleen will answer more questions about world-building and research in fiction. Thanks Kathleen! See you all then.
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