I'm Off to Haiti. But here are 2 More Great Author Interviews you May Have Missed!

Hello All, 

As a reminder, it's November -- the month of Nanowrimo, U.S. Thanksgiving, and your local mall's favorite holiday, "Black Friday."

Many of us are spending time with family over turkey dinners while others of us are hiding in the closet, the attic, or the secret room under the stairs trying to keep typing away at that Nano novel despite the in-laws being in town. :)  We're also running off to use that "Black Friday" discount to buy our critique-buddy's newest novel off the Barnes and Noble shelves.  So, since we're all so busy, as announced last week, there will not be a new author interview on Writermorphosis until December arrives, and everyone can take a breath from Nano and begin pulling out their December holiday decor.  I personally am off to Haiti to hang out with some kids there for Thanksgiving this year and will give an update when I return.

But no worries!  You can still find great author advice on Writermorphosis this month.

Click on this week's "two more great interviews you may have missed," below:

INTERVIEW 1:

http://writermorphosis.blogspot.com/2012/08/each-one-teach-one-interview-megan.html

Each One Teach One Interview: Megan Shepherd YA Gothic writer Shares her thoughts and tips on PLOT MAPPING

INTERVIEW 2:

http://writermorphosis.blogspot.com/2012/07/each-one-teach-one-interview-childrens.html

Each One Teach One Interview: Multi-published Children's Book Author Stephanie Greene shares thoughts on writing and what she's learned about bringing a Character’s Emotions to Life.

Enjoy these great tips and experiences shared by brilliant authors, and have a wonderful Holiday and a very successful final week-and-a-half of Nanowrimo.  See you next week.

- Janelle

4 Great Author Interviews You Might Have Missed!

Hi all, as promised, because many people are busy with NANO (National Novel Writing Month,) we're not having a new interview this week or next week.  But No Fear!  Here are 4 great author interviews you may have missed! Check 'em out by clicking the links below their photos! Happy Reading.  And after the reading, Happy Writing, Revising, Submitting, and Getting Published!

"Each One Teach One" Interview --  Nonfiction and Fiction Author Kate Reilly talks about a no-nonsense approach to working with editors, agents, and the publishing industry.

Each One Teach One"Interview - YA/MG author Kathleen Duey talks "World-Building"

"Each One TeachOne" Interview: Picture Book Author Kelly Starling Lyons on Learning fromOther Successful Authors.

"Each One Teach One Interview" -- YA/MG Author John Claude Bemis – Discusses the Importance of “the personal touch”and networking in a writer’s life.

Thanks again Kate, Kathleen, Kelly, and John for these great interviews with tips and stories about how you have become successful authors! We can learn so much from you.

Each One Teach One: Author Joan Holub on Working with Illustrators and Art Directors

Before writing 130 books for children -- and she's still going strong with 2 new middle grade series' right now -- Author Joan Holub was an illustrator and an Art Director at Scholastic.    So today, in the final day of our interview with Joan, we want to address the concerns and questions that many authors have about working with illustrators and Art Directors.

Welcome back, Joan, let's jump right in with this first question:

Many first time authors worry that they’ve written a fabulous book but that the illustrator that will be chosen by their publisher won’t be able to visualize the story they’ve written correctly, and will possibly “mess up” the cover or other pictures in the book. Many writers, for this reason, wish they could choose their own illustrator, which in publishing today is generally not an option because decisions about which artist to choose are made by the art directors.

Since you are a writer who used to be a professional illustrator and an Associate Art Director in children’s trade books at Scholastic, it may amaze many people that you choose not to do your own illustrations in your books, but have decided to trust the illustrators who work with your publishers to do the art so that you “have time to write more books.”  Can you explain to newer authors who might be worried about the illustration process why you think having the Art Directors be responsible for the art in books is appropriate and should not be a fearful process?

Yes. I think we’re currently enjoying a golden age of illustration. There are so many amazing and varied illustration styles out there right now. And I think Editors and Art Directors are in a better position to choose the most suitable among them for our books. They regularly meet with art reps and view art portfolios. They’re generally pretty good when it comes to matching story to art. They’ve seen books soar to bestseller lists or fail miserably and have analyzed why that happened.

The Aladdin Art Director found Glen Hanson (Goddess Girls) and Craig Phillips (Heroes in Training). Their covers practically jump off the shelves. We love them. Readers tell us they love them. I wasn’t familiar with either these artists, so I couldn’t have suggested them. Our publisher had the vision to decide that they would be perfect for these series.

Most publishers are willing to entertain an author’s suggestions regarding artist selection. So make suggestions if you have some, but then sit back and let the Editor and Art Director do their jobs.

That said, speak up early if you have a problem with the publisher’s choice of artist or with something going on in the sketches. But be willing to entertain the idea that the publisher may be righter than you are. :o) I’ve rarely been disappointed by the art for a book of mine, though it has happened a couple of times. Out of 130+ books, that’s not bad though. 

Those are great tips, Joan, and some helpful reassurance.  Thanks!

Can you tell us about one of your favorite current or recent projects that you’ve worked on?

I knew that working with illustrator Tom Lichtenheld on Zero the Hero (picture book, 2012, Henry Holt) was going to be fun when he introduced himself to me by sending me a birdhouse illustrated with characters and speech bubbles from the manuscript. He even added some of his own hilarious speech bubbles. If you look at the book, most of the teeny tiny illustrations in the bottom corners of some pages were his idea. Like our editor, he really “got” what I was going for with Zero the Hero. My number one goal was that it be a funny book that entertained kids. All the math concepts? Those are secondary. Stuff I hoped kids would painlessly absorb along the way.

After the book was finished, Tom and I collaborated on the script for an animated book trailer short about Zero the Hero. There’s also a teaching guide at http://www.joanholub.com/ZeroTheHero.html

I love the birdhouse! What a great introduction! Perhaps that gives idea-fodder to the other illustrators out there who are reading this blog right now. :)

And I love the Animated trailer and teaching guide you guys put together.  Those are great ideas for the authors among us, as we work to make our books more sale-able by making them interesting and accessible to kids online and teachers in classrooms.

Thanks for those great strategies!

And here's one more fun idea.  Joan and Suzanne have an active facebook page for their Goddess Girls' Series where they regularly receive notes from young readers asking questions, discussing Greek mythology, and saying how much they love the books.  Tell us about that, Joan. How and why did you, Susanne, and your publishers decide that a facebook page specifically for the Goddess Girls was a good way to connect with readers of this series? And would you recommend this to other authors?

We created the Goddess Girls Facebookpage at because we thought it would be fun and that it might help get the word out that about the series. It connects us with readers who are enthusiastic about our series, which helps keeps us excited about writing the books.

Sometimes we get valuable feedback from Goddess Girls readers on FB regarding what they like and dislike. Sometimes we’ll ask readers to vote on which title they like best for an upcoming book. When we were trying to decide on a title for the Goddess Girls book that will release this December, we asked if readers preferred Pandora the Curious or Pandora the Nosy. Turns out that grown-ups preferred Nosy. But kids preferred Curious and thought Nosy was negative. We wound up going with Pandora the Curious.

Thanks so much, Joan, for all of your amazing tips over the past few weeks!  You're such a weath of info and I've gotten emails from a number of authors saying how much they've appreciated all the tips you've shared.

Now, since it's November, I know we're competing with Nano-Wrimo this month, as I, and many of us, are busy writing, writing, writing and writing those 50,000 words between now and the end of November.  (Yes, I'm there. My name is Tolk) So we're going to take a break on Writermorphosis. The next two week's posts will not feature a new interview, but will just highlight a few of the great recent author interviews readers may have missed here, plus some fun NANO comics. 

In the meantime -- HAPPY NANO-ing to all! Even experienced authors can use nano as a way to move new projects forward, so grab that coffee and write! : ) - Janelle

Each One Teach One: Joan Holub on Writing with a Co-Author

Welcome back everyone, to the third installment of this wonderful series of interviews with Joan Holub, NC Author of 130 books for children and middle graders.  Thanks to all of you who have been stopping by, and also those sending emails saying how much you like the series.

Let's jump right in!  This week we'll talk about writing with a Co-Author and having a fabulous web presence!

So Joan, you and Suzanne Williams are currently co-authoring each book in the Goddess Girls series – writing the first draft separately and then revising as a team. From what the two of you have learned working together on these books so far, what are some tips you can give to authors who are hoping to co-author a book with another writer? Are there reasons for and against co-authoring books that you think are important for writers to consider before jumping into such an arrangement?  And how have you and Suzanne been able to work together so well and so collaboratively – what tips can you give us?

Suzanne and I first met at an SCBWI meeting. We didn’t really know how we’d co-write when we started, but figured it out along the way. These are some tips I’d offer to other authors considering a collaboration:

1. Use the word “we.” Early on, Suzanne and I agreed to use the word “we” as much as possible when discussing the series with others or with each other. It puts us in the collaborative mindset. It keeps egos in check. It reminds you that your paramount goal is to jointly write a fantastic book.

2. Have a good work ethic. Don’t make your co-author work harder than you’re working. She won’t like it.

3. Be organized. Make a schedule of interim deadlines to ensure you’ll meet your final deadlines.

4. Decide if ownership of the work and the money split are a 50/50 arrangement or something else right up front.

5. Decide how you’ll write together. Will you sit at a table and write one book together, talking it out as you go? Or will you do what Suzanne and I do? We write our series books in pairs. I write the rough draft for one book while Suzanne is writing the rough draft for the book that follows it in the series (or vice versa). When the drafts are finished, we trade them and thoroughly revise each other’s work. We trade back and forth numerous times, which has the effect of making each book sound like it was written by a single author. Working like this takes trust, something that has developed between us over time and with the success of the series.

Those are great suggestions, Joan!  It really does sound like you and Suzanne have built a truly amazing partnership, and it's definetly something that anyone wanting to co-author a series or book can learn from!

One other thing that I think many authors can learn from is the facebook page that you guys have created for the Goddess Girls' Series.  The series has its own active facebook page where you post updates and regularly receive notes from young readers asking questions, discussing Greek mythology, and saying how much they love the books! How and why did you, Susanne, and your publishers decide that a facebook page specifically for the Goddess Girls was a good way to connect with readers of this series? And would you recommend this to other authors?

We created the Goddess Girls Facebook page at http://www.facebook.com/goddessgirlsbooks because we both thougth it would be fun and that it might help get the word out about the series. It connects us with readers who are enthusiastic about our series, which keeps us excited about writing the books.

Sometimes we get valuable feedback from Goddess Girls readers on FB regarding what they like and dislike. Sometimes we’ll ask readers to vote on which title they like best for an upcoming book. When we were trying to decide on a title for the Goddess Girls book that will release this December, we asked if readers preferred Pandora the Curious or Pandora the Nosy. Turns out that grown-ups preferred Nosy. But kids preferred Curious and thought Nosy was negative. We wound up going with Pandora the Curious.

I think that's brilliant that you got feedback from your readers via the facebook page and used their suggestions to name the book, Joan and Suzanne! It's clear from reading the Goddess Girls' facebook page that readers go there to chat with you and share their ideas. I love the way you are also using the facebook page as a  venue to share extra educational "facts" about Greek mythology.  What a great idea!

Also, as other ways to connect with readers, here are some great examples of book marks and other hand-outs that Joan and Suzanne give out at book-readings and other events.

Thanks for the tips again today, Joan!  We'll all be back her next week to talk about working with Illustrators and Art Directors.

See you then!