YA Non-fiction author Steve Sheinkin has won a Newberry Honor Award, two Yalsa Awards, and he's been a National Book Award Finalist -- all for his great non-fiction books that bring U.S. history full of spies, complicated crimials, and notirious politicians to life for young readers today. Some of his recent, award-winning books include Bomb - the race to build - and steal- the worlds most dangerous weapon, Lincoln's Grave-Robbers, and The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery.
If you haven't had a chance to read Steve's fascinating true accounts of the making (and attempt to steal) the atomic bomb, or of the money-launderers turned grave-robbers who tried to dig up and steal Abraham Lincoln's body, click the links to hear the audio versions of the beginning of each book on last writermorphosis post! They're brilliant!
Steve used to write textbooks but he now writes "interesting" non-fiction because he says "textbooks don't work." it's "interesting non-fiction" that makes young people want to read and learn.
So thanks, Steve, for being here with us today to share your thoughts and tips on how other authors can write "interesting nonfiction" for young people too!
Let's jump right in with our first question:
Steve, you talk about the need for "Interesting Non-fiction" for kids and teens. Why do you believe
it's important for young people to have interesting non-fiction books to read
that are not simply text books?
First of all,
textbooks simply don't work. They're so boring that they're not effective
teaching tools. I think engaging, exciting nonfiction is not just fun to read,
but a great way to impart information and get conversations going.
That definitely makes sense, Steve!
So, what, in your
opinion, makes a non-fiction book interesting to middle graders or teens. (In
other words, in your experience with the children's market, what differentiates
an "interesting" and successful middle grade or teen non-fiction book
from a "boring" or less successful one? Does it relate to theme or topic,
book format - sidebars and visuals, other things?) Can you give specific tips?
To me, it's all about
telling a great story in language that is clear and direct. Sidebars can work
in nonfiction, but I don't like to use them. I try to weave all the information
into the story. Basically, I try to set up an interesting story, and then keep
the action moving, just as you'd want to do if you were writing a novel or a
screenplay.
So, just like all those non-fiction books for adults (Eat, Pray, Love/Stories about War Heroes/etc) that hold our attention and get made into block-buster movies later, your books Steve are bringing true stories from history to life in an action-packednovel format that teen readers seem to love.
One great excellent example of this is the intro to your book "BOMB." So readers, If you haven't done so yet, check the audio version of it out on last week's post!
It's worth the read!
I also love what Kirkus had to say about Steve's Benedict Arnold book below:
"A brilliant, fast-paced biography that reads like an adventure novel... one of the most exciting biographies young readers will find." - Kirkus, starred review
So Steve, what do you
recommend for writers who want to write an interesting non-fiction book for
children or teens but who are not sure how to come up with interesting topics,
themes, or people to write about? How did you come up with the
Characters/topics for your recent books like The Notorious Benedict
Arnold, The Bomb, and your newest book Lincoln's Grave
Robbers? (I find there's often a story behind how authors come up with
topics for their books.)
Pretty much every day
that I spend reading, I find amazing stories, not because I’m so good at
finding them, but because there are so many incredible stories out there!
Magazines are a great place to learn about little known stories - I've found
great stuff in Smithsonian, for instance, including a story about a
really obscure spy in the Manhattan Project. I didn't end up writing about the
guy, but researching him led to the idea for Bomb. I'm also an
obsessive reader of source notes. Find a good nonfiction book on a topic you
find interesting, and the source notes will probably have dozens of leads on
places to look for related stories/characters. I think of each source as a
clue, and follow it to find more clues. I never know where the search will
lead, but that's part of the fun.
Do you think
it's important to keep national or state school curriculums in mind when
writing non-fiction for youth -- or is that only when writing for the
"school market"?
No, I don't think
about specific standards or curriculum issues anymore - that's all I did back
when I was a textbook writer. Now I just try to tell important and exciting
stories, and hope that students and teachers will find them useful and fun to
read.
Steve, I'm tacking
one more fun question on the end. One thing I've noticed is that you have creative ways of marketing your
books (like taking a guy dressed up as Benedict Arnold with you to your book signing for that book!) Can
you share a brief example or two about how you creatively market your
non-fiction books so that other writers can learn from you?
Yes, doing the book
signing with Benedict Arnold was a real treat. I can't always arrange anything
that cool, but I've done other fun stuff, like comics in which I interview
other writers, and, recently, an online interview with my six year old
daughter:
https://upallnightreading.squarespace.com/new-blog/2013/6/6/1971-3
https://upallnightreading.squarespace.com/new-blog/2013/6/6/1971-3
Basically, I try to do
fun stuff, and then throw in a bio mentioning my work. I'm not that good at
using Twitter or other social media - but I'm trying to figure it out!
Thanks for a wonderful interview Steve! These are some great and specific tips for those of us who want to consider writing non-fiction for teens!
Readers, don't forget that the Writermorphosis "Comments Contest" is ongoing through-out this summer too!
See you all next week for more great writing and illustrating tips and opportunities on Writermorphosis!
6 comments:
Janelle,
Great interview. I like the idea of reading exciting nonfiction books like Steve's before studying related historical units.
Thanks Janelle and Steve! I'm really eager to read these books and reflect on the writing style.
I like history (and all those hidden stories) so much that I should probably be writing exciting non-fiction. But I'm uncertain about that since I do love telling stories through the experiences of fictional characters.
But I'm contemplating...
Thanks for your comment, Joyce!
I had to smile at your comment because I can absolutely see you writing nonfiction as well!
Your fiction books are so clearly based in the real, non-fictional historical world that I think many readers probably "feel" as thought they ARE reading nonfiction. : ) I think that's a sign of great fiction!
Love the interview. I met Steve at SCBWI LA conference. I also has a manuscript critique by him. Very generous with his time and comments. I have been all his books but still reading about the bomb
Thanks, Rachel, for pointing out that great resource!
Thanks, Rachel, for pointing out that great resource!
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